Why Does Our Community Need a Christian Arts Center?
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·          Connection Center

o         Connecting artists with their Power Source

o         Connecting artists of faith across denominational borders

Intercultural – The whole is greater than the sum of the parts: synergism when we come from different backgrounds of faith—like the military assembling, we are encouraged to see so many in our ranks

Nehemiah 4:19 & 20 - When the Israelites were rebuilding the wall surrounding Jerusalem, Nehemiah told them to station themselves around the wall, some building and others standing guard. He said, "The work is extensive and spread out, and we are widely separated from each other along the wall. Wherever you hear the sound of the trumpet, join us there. Our God will fight for us!"  The wall builders are the denominations, each doing a great work, for the work is extensive, but there are times we are to join together—when the trumpet sounds—to build each other up in our faith!

o         Connecting pre-Christian artists with artists of faith

·          Place of Preparation

o         Training ▪  Teaching  ▪  Discipleship

Messiah Project is not a church—and we are not competing with churches—but the community needs a neutral place to have seminars, workshops, classes, performances to which people who are not “churched” can exposed to Christianity through artists of faith—a place to disciple young Christians and to influence pre-Christians

Example: We want to influence the Brad Pitt's in our community to use their gifts and talents for Christ

o         Fellowship ▪  Inspiration

o         Encouragement  ▪  Empowerment: Unlocking the gifts within us is empowering! 

·          Home for Marketplace Ministry

o         Permanent physical presence as a point of identification

Central focus—one place for artists to share creative ideas and inspiration from each other to develop their gifts

Artists may be able to use their gifts in a church, but they may be the only visual artist in that congregation, for example, or the only trained dancer—these artists need a place to meet other artists who share their passion and giftings.

o         Our market: the community and beyond

§          Encouraging believers in their faith

§          Providing wholesome entertainment with a Christian message

§          Sharing our faith through the arts in secular and sacred venues

What if scenario:  The Taliban forbid music; Mao destroyed songbirds in China—we in the U.S. think we’re immune from such tyrannical acts, but we have a formidable foe here who would like nothing better than to ban all sacred art—music, nativity scenes, dance—from public venues.  What would our world be like without sacred music that lifts our souls and embeds the Holy Scriptures in our minds and hearts?  What if we never see a nativity scene at Christmas (oh—I mean holiday time)?  Will our children and grandchildren grow up thinking that Santa and snowmen are the essence of Christmas?  What’s next?  Will sacred art be taken off the shelves of our public libraries?  Will sacred music be banned from publicly supported symphonies? 

The Messiah Project has a mandate to promote our Judeo-Christian heritage through the fine arts—and that means continuing to provide venues for artists to share their faith through their art, to provide performances and displays that speak of God’s excellence in the world, and to share the Gospel among the nations through the arts.

·          How do we facilitate such a vision?

o         Organize people from across the community who want to sing, play instruments, and experience a multitude of expressions of worship through the arts.

o         Develop a community of scholarly individuals to explore different schools of thought as to forms of worship.

·          Staff

o         Director: Establish goals and yearly concert agenda with the help of an advisory council. Establish budget for operation.

o         Grant writer: Person who understands the focus of the ministry and will find funds to support the ministry

o         Events coordinator / Volunteer recruiter: Person who will coordinate and promote the events

·          What will Messiah Project’s contribution be to our community?

o         What a year will look like:

§          There will be monthly concerts and art shows featuring both local and international artists, including but not be limited to:

·          Visual art shows featuring local, national, and international artists

·          Musical performances featuring local artists and international individuals and groups.  Some of these concerts will be at the facility and some will be organized for local churches.

·          Rehearsal space for productions

·          Scholarly pursuits for groups to explore the life and works of artists.  Possibly an entire season would be devoted to one composer.  This would also be used as an outreach to the school children.

·          Why is this important to our community?

o         With current trends in music, much of the rich heritage of church music is being lost or diluted by the noise of our society.  We hope to bring to the community not only the essence of crafted music but give a glimpse into the passion that filled the heart of the believer when the art was created.  When we are reminded of the quality of our heritage and find expression of it through the arts, our lives become more secure as we build upon the solid principles and unwavering faith of the fathers of the church. 

o         Our society, fueled by the news media, thrives on how someone or some institutions are failing and all the sensationalism that comes from revealing mistakes of a few.  This constant barrage to our senses chips away at the foundation of the very faith we want to pass on to our children and grandchildren.  It is our responsibility and privilege, then, to offer both educational and performance venues for people of all ages so that they have a sacred refuge from worldly influences.  In a sense, the Center is a hiding place where God’s gifts can be nurtured and faith sustained. 

Prepared Lindsey & Jane Robison
 


 



Diagram of the Credo Arts Center
 

Front of the building
 



Office section of the building




Sanctuary section of the building

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